Journal

Worn Low, Worn Wet: How to Wear FOAM
FOAM isn't meant to be precious in the way you'd expect — here's how to wear it low, wet, and layered, the way it was designed to be lived in. Read more...
Melita: The Hands Behind FOAM
Every FOAM necklace is tied by one maker, Melita, on bare cord — no molds, no repeats, no two pieces exactly alike. Read more...
FOAM: Where Aphrodite Meets the Shore
Introducing FOAM — a jewellery collection born from the myth of Aphrodite, handmade by Melita in pearl, shell, and glass on bare cord. Read more...
Quiet Luxury Without the Logo
Quiet luxury is quality you can feel rather than a logo you can read. Here is what it actually means, and how to recognise a bag that whispers instead of shouts. Read more...
A Gift for the Woman Who Has Everything
The best gift for the woman who has everything is something singular she would not buy for herself: handmade, numbered, and impossible to duplicate. Here is how to choose one. Read more...
What 'Limited Edition' Really Means: Numbered Bags and Why They're Kept
A true limited edition has a fixed, finite number of pieces, each individually numbered and never reissued. At FELUS that means 400 numbered editions per design. Here is why numbered bags get kept rather than discarded. Read more...
How a FELUS Bag Is Made: 40 Hours, One Bag, Zero Machines
A single FELUS bag takes around forty hours, is woven entirely by hand in Madagascar, finished in Greece, and given a serial number before it is sent. Here is how it is made, step by step. Read more...
The Best Bags for a Greek Island Summer
The best summer bag for the Greek islands is light, handwoven, and built to move from warm stone to late dinner. Here is what to look for, and why the FELUS ION earns its place. Read more...
What Is Raffia, and Why Is a Handwoven Raffia Bag Worth It?
Raffia is a natural palm fibre, hand-dried and handwoven into one of the most breathable, durable, and beautiful materials in fashion. Here is what it is, and why a handwoven raffia bag is worth keeping. Read more...
Made Between Two Worlds
There is no single place where a FELUS bag begins. It begins in two places at once. Separated by oceans, joined by hands. In the central highlands of Madagascar, raffia palms grow slowly toward the light. When the leaves are finally harvested, they are split into threads so fine they could be mistaken for silk. Then the weaving starts, on a woman's lap, in the rhythm she learned from her mother, who learned it from hers. Each weave is a negotiation between the hand and the fiber, between tension and... Read more...
The Hands Behind the Weave
Every FELUS piece begins in Madagascar, where the sound of weaving fills the air — soft, steady, and deliberate.There, a community of artisans transforms raffia into something extraordinary. Their technique has been passed down for generations, and every movement speaks of skill, pride, and patience. When I visit their workshops, I’m reminded that craftsmanship is not just about making — it’s about meaning.They work with focus and quiet strength, each hand movement forming a dialogue between tradition and design.No step is rushed. Every bag carries their rhythm, their care, and... Read more...
A Journal of Meaning
This Journal is a space for ideas, not noise. A place to share what inspires FELUS — design notes, cultural references, moments of craft, and fragments of everyday life. You’ll find thoughts on the process, the materials, and the stories behind what we create. At times, it will be personal. At times, observational. Always with the same intention: to look closer, to notice what others overlook. This is not content for the sake of content. It’s a visual and written archive of the world that shapes FELUS. The first page... Read more...